Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Portrait of Count Baldassare Castiglione oil painting


Portrait of Count Baldassare Castiglione
mk68 c.1514
Painting ID::  30917
Raphael
Portrait of Count Baldassare Castiglione
mk68 c.1514
   
   
     

Raphael Christ on the Road to Calvary oil painting


Christ on the Road to Calvary
mk84 ca.1517 Madrid,Prado,canvas 318x229cm
Painting ID::  32912
Raphael
Christ on the Road to Calvary
mk84 ca.1517 Madrid,Prado,canvas 318x229cm
   
   
     

Raphael Madonna of the Goldfinch oil painting


Madonna of the Goldfinch
mk83 c.1507
Painting ID::  33249
Raphael
Madonna of the Goldfinch
mk83 c.1507
   
   
     

Raphael Self-Portrait oil painting


Self-Portrait
mk83 oil on canvas
Painting ID::  33295
Raphael
Self-Portrait
mk83 oil on canvas
   
   
     

Raphael Pope Leo X with Cardinals Giulio de'Medici and Luigi de'Rossi oil painting


Pope Leo X with Cardinals Giulio de'Medici and Luigi de'Rossi
mk86 1518/19 Oil on wood 154x119cm Florence,Galleria degli Uffizi
Painting ID::  33458
Raphael
Pope Leo X with Cardinals Giulio de'Medici and Luigi de'Rossi
mk86 1518/19 Oil on wood 154x119cm Florence,Galleria degli Uffizi
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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