Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Madonna di Foligno (mk08) oil painting


Madonna di Foligno (mk08)
c.1512 Oil on wood,transferred to canvas, 301x198cm Rome,Musei Vaticani Pinacoteca Vaticanna
Painting ID::  21312
Raphael
Madonna di Foligno (mk08)
c.1512 Oil on wood,transferred to canvas, 301x198cm Rome,Musei Vaticani Pinacoteca Vaticanna
   
   
     

Raphael The Transfiguration (mk08) oil painting


The Transfiguration (mk08)
c.1517-1520 Oil on canvas, 405x278cm Rome,Musei Vaticani Pinacoteca Vaticana
Painting ID::  21315
Raphael
The Transfiguration (mk08)
c.1517-1520 Oil on canvas, 405x278cm Rome,Musei Vaticani Pinacoteca Vaticana
   
   
     

Raphael The School of Athens (mk08) oil painting


The School of Athens (mk08)
1511/12 Fresco,width c.800cm Rome,Musei Vaticani Stanza della Segnatura
Painting ID::  21317
Raphael
The School of Athens (mk08)
1511/12 Fresco,width c.800cm Rome,Musei Vaticani Stanza della Segnatura
   
   
     

Raphael The Charge to St Peter (mk25) oil painting


The Charge to St Peter (mk25)
c 1515-16
Painting ID::  23989
Raphael
The Charge to St Peter (mk25)
c 1515-16
   
   
     

Raphael Baldassare Castiglione (mk45) oil painting


Baldassare Castiglione (mk45)
Oil on canvas 82x67cm Paris,Musee du Louvre
Painting ID::  25894
Raphael
Baldassare Castiglione (mk45)
Oil on canvas 82x67cm Paris,Musee du Louvre
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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