Gerard David
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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Gerard David the judgment of cambyses oil painting


the judgment of cambyses
mk247 1498,oil on panel,71.75x125.5 in,182.5x318.5 cm,groeninge museum,bruges,belgium
Painting ID::  55983
Gerard David
the judgment of cambyses
mk247 1498,oil on panel,71.75x125.5 in,182.5x318.5 cm,groeninge museum,bruges,belgium
   
   
     

Gerard David Annunciation from 1506 oil painting


Annunciation from 1506
Annunciation from 1506, Metropolitan Museum of Art, New York
Painting ID::  58528
Gerard David
Annunciation from 1506
Annunciation from 1506, Metropolitan Museum of Art, New York
   
   
     

Gerard David Altarpiece of St Michael oil painting


Altarpiece of St Michael
Altarpiece of St Michael
Painting ID::  58530
Gerard David
Altarpiece of St Michael
Altarpiece of St Michael
   
   
     

Gerard David Deposition oil painting


Deposition
Deposition
Painting ID::  58531
Gerard David
Deposition
Deposition
   
   
     

Gerard David The Judgment of Cambyses oil painting


The Judgment of Cambyses
The Judgment of Cambyses
Painting ID::  58532
Gerard David
The Judgment of Cambyses
The Judgment of Cambyses
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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