Gerard David
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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Gerard David Virgin and Child with the Milk Soup oil painting


Virgin and Child with the Milk Soup
1515(1515) Medium Oil on oak cyf
Painting ID::  88824
Gerard David
Virgin and Child with the Milk Soup
1515(1515) Medium Oil on oak cyf
   
   
     

Gerard David Crucifixion oil painting


Crucifixion
c. 1515(1515) oil on oak cyf
Painting ID::  89023
Gerard David
Crucifixion
c. 1515(1515) oil on oak cyf
   
   
     

Gerard David Altarpiece of St Michael oil painting


Altarpiece of St Michael
first half of 16th century Medium oil on wood cyf
Painting ID::  89024
Gerard David
Altarpiece of St Michael
first half of 16th century Medium oil on wood cyf
   
   
     

Gerard David The Adoration of the Magi oil painting


The Adoration of the Magi
1500(1500) Medium oil on oak cyf
Painting ID::  89148
Gerard David
The Adoration of the Magi
1500(1500) Medium oil on oak cyf
   
   
     

Gerard David The Deposition oil painting


The Deposition
first half of 16th century Medium oil on wood cyf
Painting ID::  89149
Gerard David
The Deposition
first half of 16th century Medium oil on wood cyf
   
   
     

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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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