Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Count-Duke of Olivares (df01) oil painting


Count-Duke of Olivares (df01)
1622-1627
Painting ID::  22523
Diego Velazquez
Count-Duke of Olivares (df01)
1622-1627
   
   
     

Diego Velazquez Christ and the Christian Soul (df01) oil painting


Christ and the Christian Soul (df01)
1626-1628
Painting ID::  22524
Diego Velazquez
Christ and the Christian Soul (df01)
1626-1628
   
   
     

Diego Velazquez The Buffoon Calabazas (Calabacillas) (detail) (df01) oil painting


The Buffoon Calabazas (Calabacillas) (detail) (df01)
c 1628-1629
Painting ID::  22527
Diego Velazquez
The Buffoon Calabazas (Calabacillas) (detail) (df01)
c 1628-1629
   
   
     

Diego Velazquez Democritus (detail) (df01) oil painting


Democritus (detail) (df01)
1626-1528
Painting ID::  22528
Diego Velazquez
Democritus (detail) (df01)
1626-1528
   
   
     

Diego Velazquez Bacchus (df01) oil painting


Bacchus (df01)
1628-1629
Painting ID::  22532
Diego Velazquez
Bacchus (df01)
1628-1629
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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