Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Old Woman Frying Eggs (df01) oil painting


Old Woman Frying Eggs (df01)
1618 Cat no 6
Painting ID::  22507
Diego Velazquez
Old Woman Frying Eggs (df01)
1618 Cat no 6
   
   
     

Diego Velazquez Still Life (df01) oil painting


Still Life (df01)
1602 Madrid,Museo del Prado
Painting ID::  22508
Diego Velazquez
Still Life (df01)
1602 Madrid,Museo del Prado
   
   
     

Diego Velazquez Mother Jeronima de la Fuente (detail) (df01) oil painting


Mother Jeronima de la Fuente (detail) (df01)
1620
Painting ID::  22509
Diego Velazquez
Mother Jeronima de la Fuente (detail) (df01)
1620
   
   
     

Diego Velazquez Musical Trio (df01) oil painting


Musical Trio (df01)
1617-1618
Painting ID::  22510
Diego Velazquez
Musical Trio (df01)
1617-1618
   
   
     

Diego Velazquez Three Men at Table (df01) oil painting


Three Men at Table (df01)
c 1618
Painting ID::  22511
Diego Velazquez
Three Men at Table (df01)
c 1618
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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