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Peasant Sewing by the Window
new4/Nicolae Grigorescu-387799.jpg
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Peasant_Sewing_by_the_Window
nn06
oil on canvas
39x22cm
Nicolae Grigorescu Memorial Museum
Campina
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Old Woman Sewing
new4/Nicolae Grigorescu-753427.jpg
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Old_Woman_Sewing
nn06
oil on canvas
56x44cm
Nicolae Grigorescu Memorial Museum,
Campina
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Peasant Sitting in Front of his House
new4/Nicolae Grigorescu-639636.jpg
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Peasant_Sitting_in_Front_of_his_House
nn06
oil on canvas
25.2x32.5cm
National Art Museum of Romania,
Bucharest
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Shepherd with his Herd
new4/Nicolae Grigorescu-633239.jpg
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Shepherd_with_his_Herd
nn06
crayon and stump
Library of the Romanian Academy
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Young Shepherd
new4/Nicolae Grigorescu-959844.jpg
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Young_Shepherd
nn06
oil on canvas
32x52cm
Nicolae Grigorescu Memorial Museum,
Campina
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Nicolae_Grigorescu
Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
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