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Sepherdess
new4/Nicolae Grigorescu-246375.jpg
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Sepherdess
nn06
Oil on canvas
54x64cm
Nicolae Grigorescu Memorial Museum,Campina
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Woman Spinning
new4/Nicolae Grigorescu-626446.jpg
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Woman_Spinning
nn06
1864-1869
oil on canvas
32x44cm
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In Front of the Firephale
new4/Nicolae Grigorescu-346497.jpg
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In_Front_of_the_Firephale
nn06
oil on canvas glued on metal
31.5x36cm
Art Muesum,
Constanta
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Young Woman with her Bundle
new4/Nicolae Grigorescu-349952.jpg
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Young_Woman_with_her_Bundle
nn06
oil on canvas
66.5x47cm
National Art Museum of Romania,Bucharest
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Peasant Woman in her House
new4/Nicolae Grigorescu-234269.jpg
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Peasant_Woman_in_her_House
nn06
1870-1872
Oil on canvas
31x47.2cm
National Art Museum of Romania,Bucharest
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Nicolae_Grigorescu
Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
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