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Portrait of Mme
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Portrait_of_Mme
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Baujot 1837 Corot that never itself case, tenla true devocion by the daughters of its sisters, to the ones that treated as own.
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Claire Sennegon
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Claire_Sennegon
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Charmois 1837 Claire was, al to seem, the niece favo-rita of corot, the one that but recalled its own mother, to which worshipped-always itself referia to her as the belle you give me.
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Reader crowned of flowers or The Muse of virgil
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Reader_crowned_of_flowers_or_The_Muse_of_virgil
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1845 one of the first samples of the figures alegoricas that Corot frecuentaria al final of its career.
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Marietta
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Marietta
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1843 Corot I paint few naked, but always with singular fortune and with an accent incofundible in the pntura French du its time.
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Girl Peninandose
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Girl_Peninandose
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1860-1865 It influence-cla of pictures as this on the toilettes of Degas is evident.
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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