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The Baptism of Christ
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The_Baptism_of_Christ
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1847 Painted by official assignment for the baptismal chapel of San Nicolas of Chardonnet, in Paris, Is one of the
scarce incursions of corot in to painting decorative.
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I remember of Mortefontaine
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I_remember_of_Mortefontaine
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Toward 1864 Mortefontaine is a jardin picturesque al north of Paris created in the 17th century and plagued of lakes and rarely Vegetable species.
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The morning star
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The_morning_star
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1864 inspired in some verses of Alfred of Musset al way of the False bard Ossian, so diffused by the Romanticism in every Europe.
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The road of Without-him-Noble
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The_road_of_Without-him-Noble
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Near Doual 1873 In some cases, Corot explores a via intermediate and of buy-miso between the compositions liricas and the nature observed in direct
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View of Saint-It
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View_of_Saint-It
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1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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