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Hell
new25/Hieronymus Bosch-545687.jpg
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Hell
between 1500(1500) and 1504(1504)
Medium oil on panel
Dimensions Height: 86.5 cm (34.1 in). Width: 39.5 cm (15.6 in).
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The last judgement
new25/Hieronymus Bosch-845953.jpg
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The_last_judgement
second half of 15th century
Medium oil and tempera on wood
Dimensions Height: 164 cm (64.6 in). Width: 127 cm (50 in).
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Triptych of the crucified Martyr
new25/Hieronymus Bosch-385587.jpg
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Triptych_of_the_crucified_Martyr
between 1495(1495) and 1505(1505)
Medium oil on panel
Dimensions Height: 104 cm (40.9 in). Width: 63 cm (24.8 in).
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Saint John the Baptist
new25/Hieronymus Bosch-463489.jpg
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Saint_John_the_Baptist
between 1489(1489) and 1499(1499)
Medium oil on panel
Dimensions Height: 49 cm (19.3 in). Width: 40.5 cm (15.9 in).
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Pedlar.
new25/Hieronymus Bosch-747699.jpg
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Pedlar.
between 1500(1500) and 1502(1502)
Medium oil on panel
Dimensions Height: 135 cm (53.1 in). Width: 90 cm (35.4 in).
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Hieronymus_Bosch
Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.
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