Hieronymus Bosch

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 Hieronymus Bosch The Seven Deadly Sins and the Four Last Things oil painting artist
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     The Seven Deadly Sins and the Four Last Things
     new26/Hieronymus Bosch-879554.jpg
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  The_Seven_Deadly_Sins_and_the_Four_Last_Things
completed in 1485 Medium oil on panel cyf

 Hieronymus Bosch Scenes from the Passion of Christ oil painting artist
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     Scenes from the Passion of Christ
     new26/Hieronymus Bosch-687845.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Scenes_from_the_Passion_of_Christ
1489 (?) Medium oil on oak panel cyf

 Hieronymus Bosch The Adoration of the Magi oil painting artist
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     The Adoration of the Magi
     new26/Hieronymus Bosch-568876.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Adoration_of_the_Magi
circa 1510(1510) Medium oil on panel cyf

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     Hieronymus_Bosch
    Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.

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