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La separation Saint Pierre et de Saint Paul
new4/LANFRANCO, Giovanni-963977.jpg
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La_separation_Saint_Pierre_et_de_Saint_Paul
mk70
Toile.
H.1.07
L.1.39
Versailles,Musee National du Chateau
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Recreation by our Gallery
new9/LANFRANCO, Giovanni-977273.jpg
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Recreation_by_our_Gallery
mk79
1630-1631
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Hagar in the Wilderness
new9/LANFRANCO, Giovanni-953288.jpg
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Hagar_in_the_Wilderness
mk86
undated
Oil on canvas
138x159cm
Paris,Musee National du Louvre
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Annunciation
new16/LANFRANCO, Giovanni-334577.jpg
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Annunciation
mk156
c.1616
Oil on canvas
296x183cm
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Hagar in the Wilderness
new20/LANFRANCO, Giovanni-626692.jpg
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Hagar_in_the_Wilderness
mk244
138x159cm
Oil on canvas
paris
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LANFRANCO,_Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
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