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St Ursula and the Virgins
LANFRANCO, Giovanni6.jpg
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St_Ursula_and_the_Virgins
1622
Oil on canvas, 209 x 138
Galleria Nazionale d'Arte Antica, Rome
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Coronation of the Virgin with St.Augustine and St.William of Aquitaine (mk05)
new5/LANFRANCO, Giovanni-758548.jpg
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Coronation_of_the_Virgin_with_St.Augustine_and_St.William_of_Aquitaine_(mk05)
Canvas,86 1/2 x 56 1/2''(220 x 144 cm).Collection of Louis XIV;acquired from Eberhard Jabach in 1671.Alater version was painted for a chapel in Sant' Agostino in Rome in 1616
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Hagar in the Widerness (mk08)
new6/LANFRANCO, Giovanni-866342.jpg
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Hagar_in_the_Widerness_(mk08)
Oil on canvas,
138x159cm
Paris,Musee National du Louvre
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Banquet with a Gladiatorial Contest
new3/LANFRANCO, Giovanni-466959.jpg
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Banquet_with_a_Gladiatorial_Contest
mk61
Oil on canvas
233x355cm
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The Ecstasy of St.Margaret of Cortona
new3/LANFRANCO, Giovanni-634485.jpg
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The_Ecstasy_of_St.Margaret_of_Cortona
mk67
Oil on canvas
98 3/4x72 13/16in
Pitti,Palatine Gallery
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LANFRANCO,_Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma).
Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
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