Pieter de Hooch

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 Pieter de Hooch Courtyard with an Arbor and Drinkers oil painting artist
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     Courtyard with an Arbor and Drinkers
     Pieter de Hooch6.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Courtyard_with_an_Arbor_and_Drinkers
1658

 Pieter de Hooch A Woman Drinking with Two Gentlemen) (mk05) oil painting artist
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     A Woman Drinking with Two Gentlemen) (mk05)
     new6/Pieter de Hooch-542429.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  A_Woman_Drinking_with_Two_Gentlemen)_(mk05)
1658 Canvas 27 1/4 x 23 1/2'' (69 x 60 cm)Given in 1974

 Pieter de Hooch The Courtyard of a House in Delft (mk08) oil painting artist
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     The Courtyard of a House in Delft (mk08)
     new6/Pieter de Hooch-988664.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Courtyard_of_a_House_in_Delft_(mk08)
1658 Oil on canvas 73.5x60cm London,National Gallery

 Pieter de Hooch A Woman and her Maid in a Coutyard (mk08) oil painting artist
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     A Woman and her Maid in a Coutyard (mk08)
     new7/Pieter de Hooch-562527.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  A_Woman_and_her_Maid_in_a_Coutyard_(mk08)
1660 Oil on canvas 73.7x62.6 London,National Gallery

 Pieter de Hooch The Card-Players (mk08) oil painting artist
 Click Image to Enlarge
     The Card-Players (mk08)
     new7/Pieter de Hooch-457299.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Card-Players_(mk08)
c.1663-1665 Oil on canvas. 67x77cm Paris,Musee National du Louvre

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    1629-1684 Dutch Pieter de Hooch Galleries De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. He studied art in Haarlem under the landscape painter, Nicolaes Berchem. Beginning in 1650, he worked as a painter and servant for a linen-merchant and art collector named Justus de la Grange. His service for the merchant required him to accompany him on his travels to The Hague, Leiden, and Delft, to which he eventually moved. It is likely that de Hooch handed over most of his works to la Grange during this period in exchange for board and other benefits, as this was a common commercial arrangement for painters at the time, and a later inventory recorded that la Grange possessed eleven of his paintings. De Hooch was married in Delft in 1654 to Jannetje van der Burch, by whom he fathered seven children. While in Delft, de Hooch is also believed to have learned from the painters Carel Fabritius and Nicolaes Maes, who were both early members of the Delft School. He became a member of the painters' guild of Saint Luke in 1655, and had moved to Amsterdam by 1661. The early work of de Hooch, like most young painters of his time, was mostly composed of scenes of soldiers in stables and taverns, though he used these to develop great skill in light, color, and perspective rather than to explore an interest in the subject matter. After beginning his family in the mid-1650s, he switched his focus to domestic scenes and family portraits. His work showed astute observation of the mundane details of everyday life while also functioning as well-ordered morality tales. These paintings often exhibited a sophisticated and delicate treatment of light similar to those of Vermeer, who lived in Delft at the same time as de Hooch. 19th century art historians had assumed that Vermeer had been influenced by de Hooch's work, but the opposite is now believed.

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