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 Jean Baptiste Camille  Corot View of Genoa oil painting reproduction


Jean Baptiste Camille Corot

View of Genoa

1834 Art Institute of Chicago
Painting ID::  489
 

 

Corot Camille View of Genoa oil painting reproduction


Corot Camille

View of Genoa
French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
mk87 1834 Oil on canvas 29.5x39cm Chicago,The Art Institute of Chicago
Painting ID::  33850
 

 

Jean-Baptiste Camille Corot View of Genoa oil painting reproduction


Jean-Baptiste Camille Corot

View of Genoa
(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
Date 1834(1834) Medium Oil on paper mounted on canvas cjr
Painting ID::  83889
 

 

Jean-Baptiste Camille Corot
(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
View of Genoa
Date 1834(1834) Medium Oil on paper mounted on canvas cjr

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