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Pieta
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art. Brera Gallery, Milan
Painting ID:: 56
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Pieta
1325-1370
Italian
Giottino Gallery 1360-65
Galleria degli Uffizi, Florence
Painting ID:: 1773
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Pieta
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries 1519-20
Art History Museum, Vienna
Painting ID:: 3244
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Pieta
Italian Mannerist Painter, ca.1495-1540 1530-35
Musee du Louvre, Paris
Painting ID:: 3622
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Pieta
Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia). 1510
Oil on panel, 183 x 185) cm
Gallerie dell'Accademia, Venice
Painting ID:: 8947
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Pieta
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art. 1455-60
Wood panel,
52x42 cm.
Academia Carrara
Bergamo, Italy
Painting ID:: 10063
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Pieta
French painter (b. 1619, Paris, d. 1690, Paris) 1643-45
Oil on canvas, 146 x 222 cm
Mus??e du Louvre, Paris
Painting ID:: 7827
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Pieta
French
1826-1898 1854
oil on canvas
Museum of Fine Arts, Gifu.
Painting ID:: 19530
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Pieta
Flemish Baroque Era Painter, 1593-1678 mk61
Oil on canvas
221x169cm
Painting ID:: 28717
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Pieta
Italian Mannerist Painter, ca.1528-1588 Oil on canvas, 147 x 115 cm
Painting ID:: 29299
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Pieta
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). mk67
Oil on panel
66 1/8x69 5/16in
Uffizi,Gallery
Painting ID:: 29786
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Pieta
Italian , Florentine artist , (1542-1629) mk67
Oil on panel
67 5/16x50in
Accademia,Gallery
Painting ID:: 29876
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Pieta
mk68
Oil on canva
11'6 1/2"x11" 5"
Venice,Accademai Gallery
1576
Italy
Painting ID:: 30522
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Pieta
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. mk76
Date unknown
Tempera on panel
13 1/8x17 1/2in
Painting ID:: 31731
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Pieta
Spanish Mannerist Painter, ca.1520-1586 mk84
1560-70
Madrid,
Real Academia de Bellas Artes
Panel
126x98cm
Painting ID:: 32867
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Pieta
Italian Gothic Era Painter, active 1350-1369 mk86
1365
Tempera on wood
122x58cm
Florence
Galleria dell'Accademia
Painting ID:: 33331
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Pieta
Niemegan before 1370-Dijon 1415 mk86
c.1400
Tempera on wood,diameter
Paris,Musee National du Louvre
Painting ID:: 33355
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Pieta
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s mk86
after1490
Tempera on wood
140x207cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
Painting ID:: 33391
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Pieta
active in Provence 1444-1466 mk86
c.1460
Tempera on panel
162x217cm
Paris,Musee National du Louvre
Painting ID:: 33444
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Pieta
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries mk86
c.1519/20
Oil on wood
99x120cm
Vienna,Kunsthistorisches Museum
Painting ID:: 33475
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Pieta
mk86
c.1573-1576
Oil on canvas
351x389cm
Venice,Galleria dell'Accademia
Painting ID:: 33494
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Pieta
Belgian
1860-1949 mk126
Painting ID:: 37448
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Pieta
Italian Gothic Era Painter, active 1350-1369 mk156
1365
Tempera on panel
122x58cm
Painting ID:: 40150
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Pieta
1528-1588
Paolo Veronese Galleries
Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death. mk159
between 1576 and 1582
Oil on canvas
147x111.5cm
Painting ID:: 40990
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Pieta
Italian
c1429-1507
Gentile Bellini Gallery
(b Venice, ?1429; d Venice, 23 Feb 1507). Painter and draughtsman, son of (1) Jacopo Bellini. An official painter of the Venetian Republic, he was a dominant figure in Venetian art for several decades in the latter half of the 15th century, known particularly for portraits and large narrative paintings in which the city and its inhabitants are depicted in great detail. mk157
c.1505
Wood
65x87cm
Painting ID:: 41165
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