Jerusalem from the Mount of Olives
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. mk48
1868
Brush and oil paint,graphite on tan paperboard
11 13/16x18 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Painting ID:: 26237
Jerusalem from the Mount of Olives
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. mk48
1870
Oil on canvas
54 1/4x84 3/8in
The Nelson-Atkins Museum of AArt,Kansan City,Missouri
Painting ID:: 26250
Frederic E.Church 1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. Jerusalem from the Mount of Olives mk48
1870
Oil on canvas
54 1/4x84 3/8in
The Nelson-Atkins Museum of AArt,Kansan City,Missouri
