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Frans Hals Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem oil painting reproduction


Frans Hals

Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Date 1664(1664) Medium Oil on canvas Dimensions Deutsch: 170 x 249,5 cm cjr
Painting ID::  87549
 

 

Frans Hals Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem oil painting reproduction


Frans Hals

Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
1664(1664) Medium oil on canvas Dimensions Deutsch: 170 X 249,5 cm cyf
Painting ID::  92290
 

 

Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
1664(1664) Medium oil on canvas Dimensions Deutsch: 170 X 249,5 cm cyf

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