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The Annunciation
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe. 1609
Mus??e des Beaux-Arts, Nancy
Painting ID:: 328
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The Annunciation
1518-1594
Italian Tintoretto Galleries 1583/87
Scuola
Grande di San Rocco, Venice
Painting ID:: 1642
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The Annunciation
Italian
1406-1469
Fra Filippo Lippi Galleries 1440
Martelli Chapel, San Lorenzo, Italy
Painting ID:: 2564
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The Annunciation
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries 1512
Galleria Palatina, Florence
Painting ID:: 3246
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The Annunciation
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
c1441/43
Museo di San Marco, Florence
Painting ID:: 3248
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The Annunciation
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
1430's
Museo di San Marco, Florence
Painting ID:: 3259
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The Annunciation
1406-1444
Robert Campin Location
South Netherlandish painter. He is first mentioned in 1405-6 as a painter in Tournai. As he purchased citizenship there in 1410, he may have been born elsewhere. There is evidence of some connection with Valenciennes, where the name Campin is said to have been common, but nothing certain is known of his artistic training and background. 1425-28, oil on panel, Metropolitan Museum of Art at New York.
Painting ID:: 18907
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The Annunciation
Italian, active 1478-1501 , central panel of a triptych, undated, wood, Mus??e du Louvre, Paris.
Painting ID:: 9805
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The Annunciation
1712-1787
English 1857-58
Oil and pencil on canvas
Birmingham Museums and Art Gallery.
Painting ID:: 19099
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The Annunciation
Netherlandish Northern Renaissance Painter, ca.1400-1464 1435, wood, Mus??e du Louvre, Paris
Painting ID:: 19333
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The Annunciation
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic. mk58
1914
oil on canvas
99x135cm
Painting ID:: 27706
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The Annunciation
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries mk65
Oil on panel
37 13/16x74 7/16in
Pitti,Palatine Gallery
Painting ID:: 28930
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The Annunciation
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s mk65
Tempera on panel
59x61 7/16in
Uffizi
Painting ID:: 28940
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The Annunciation
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting. c. 1645
Oil on canvas, 334 x 214 cm
Painting ID:: 29518
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The Annunciation
Florence ca 1425-1499 mk67
Tempera on panel
65 3/4x53 15/16in
Painting ID:: 29747
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The Annunciation
Italian High Renaissance Painter, ca.1458-1537 mk67
Oil on panel
34 5/8x27 15/169in
Uffizi,Gallery
Painting ID:: 29766
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The Annunciation
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries mk67
Oil on panel
72 13/16x 68 11/16in
Painting ID:: 29833
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The Annunciation
Italian Mannerist Painter, 1535-1607 mk67
Oil on canvas
63 3/4x40 9/16in
Painting ID:: 29869
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The Annunciation
Italian Mannerist Painter, ca.1528-1588 mk67
Oil on canvas
56 5/16x114 9/16in
Uffizi,Gallery
Painting ID:: 29896
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The Annunciation
Romanian Painter, 1838-1907 nn06
1853
Oil on wood
Baicoi Church
Painting ID:: 30713
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The annunciation
Italian
1406-1469
Fra Filippo Lippi Galleries mk76
Painted c.1440
Tempera on panel
25 1/8x9 7/8in
Painting ID:: 31719
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The ANNUNCIATION
Italian
1406-1469
Fra Filippo Lippi Galleries mk76
Painted c.1440
Tempera on panel
25 1/8X10IN
Painting ID:: 31720
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The Annunciation
Italian
1406-1469
Fra Filippo Lippi Galleries mk78
Florence,San Lorenzo
Painting ID:: 32098
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The Annunciation
c.1399-1464
mk78
c.1435
Oil on panel
86x92cm
Painting ID:: 32104
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The Annunciation
Italian
1406-1469
Fra Filippo Lippi Galleries mk78
Rome
Museo Nazionale at Palazzo
Painting ID:: 32112
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