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ALTDORFER, Albrecht The Arrest of Christ oil painting reproduction


ALTDORFER, Albrecht

The Arrest of Christ
German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
1509-16 Oil on wood, 129,5 x 97 cm Augustiner Chorherrenstift, St Florian bei Linz
Painting ID::  4719
 

 

unknow artist The Arrest of Christ oil painting reproduction


unknow artist

The Arrest of Christ

1290s Fresco
Painting ID::  44307
 

 

GIOTTO di Bondone The Arrest of Christ oil painting reproduction


GIOTTO di Bondone

The Arrest of Christ
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
200 x 185 cm
Painting ID::  44334
 

 

unknow artist The arrest of Christ oil painting reproduction


unknow artist

The arrest of Christ

ca. 1530-1550 Oil on panel 51.2 x 80.8 cm (20.2 x 31.8 in) cjr
Painting ID::  79125
 

 

unknow artist

The arrest of Christ
ca. 1530-1550 Oil on panel 51.2 x 80.8 cm (20.2 x 31.8 in) cjr

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