Velasquez
1599-1660,Spanish painter. He was apprenticed to Francisco Herrera the Elder before being trained by Francisco Pacheco. His early works were mostly religious or genre scenes. After arriving in Madrid in 1623, he painted a portrait of Philip IV that won him immediate success and an appointment as court painter. His position gave him access to the royal collections, including works by Titian, who exerted the greatest influence on his style. In his portraits from this period, only the faces and hands of the figures are accentuated, and the dark figures stand out against a light background. A visit to Italy (1629 ?C 31) further developed his style, and on his return to Madrid he entered his most productive period. Velazquez created a new type of informal royal portrait for Philip hunting lodge, and his portraits of court dwarfs display the same discerning eye as those of his royal subjects. On a second visit to Rome (1649 ?C 51) he painted a portrait of Pope Innocent X. The powerful head, brilliant combinations of crimson of the curtain, chair, and cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velazquez development. This portrait was copied innumerable times and won him immediate and lasting renown in Italy. In his last years he created his masterpiece, Las Meninas (The Maids of Honour, 1656). In this casual scene, the artist is shown painting the king and queen in the presence of the infanta Margarita and her attendants; the nearly life size figures are painted in more or less detail according to their relation to the central figure of the infanta and to the source of light, creating a remarkable illusion of reality never surpassed by Velazquez or any other artist of his age. He is universally acknowledged as one of the giants of Western art.

  Prev   1 2 3 4 5 6 7 8    Next
 
 Prev Artist   Next Artist 

Velasquez Abbot and hermit Paulo oil painting


Abbot and hermit Paulo
mk267 1633 years linen canvas 261 x 192.5 cm Prado Museum in Madrid
Painting ID::  59558
Velasquez
Abbot and hermit Paulo
mk267 1633 years linen canvas 261 x 192.5 cm Prado Museum in Madrid
   
   
     

Velasquez Carlos Prince Buster oil painting


Carlos Prince Buster
mk267 1634-1635 years linen canvas 208 x 173 cm Prado Museum in Madrid
Painting ID::  59559
Velasquez
Carlos Prince Buster
mk267 1634-1635 years linen canvas 208 x 173 cm Prado Museum in Madrid
   
   
     

Velasquez Awes Telia oil painting


Awes Telia
mk267 1634 years linen canvas 210 x 124 cm Prado Museum in Madrid
Painting ID::  59560
Velasquez
Awes Telia
mk267 1634 years linen canvas 210 x 124 cm Prado Museum in Madrid
   
   
     

Velasquez In Austria Duke Varser oil painting


In Austria Duke Varser
mk267 1634 years linen canvas 314 x 240 cm Prado Museum in Madrid
Painting ID::  59561
Velasquez
In Austria Duke Varser
mk267 1634 years linen canvas 314 x 240 cm Prado Museum in Madrid
   
   
     

Velasquez Hunting De accepts Crown Prince Cady oil painting


Hunting De accepts Crown Prince Cady
mk267 1635-1636 cm linen canvas 191 x 107cm Prado Museum in Madrid
Painting ID::  59562
Velasquez
Hunting De accepts Crown Prince Cady
mk267 1635-1636 cm linen canvas 191 x 107cm Prado Museum in Madrid
   
   
     

       Prev    1  2  3  4  5  6  7  8     Next
Prev Artist       Next Artist     

     Velasquez
     1599-1660,Spanish painter. He was apprenticed to Francisco Herrera the Elder before being trained by Francisco Pacheco. His early works were mostly religious or genre scenes. After arriving in Madrid in 1623, he painted a portrait of Philip IV that won him immediate success and an appointment as court painter. His position gave him access to the royal collections, including works by Titian, who exerted the greatest influence on his style. In his portraits from this period, only the faces and hands of the figures are accentuated, and the dark figures stand out against a light background. A visit to Italy (1629 ?C 31) further developed his style, and on his return to Madrid he entered his most productive period. Velazquez created a new type of informal royal portrait for Philip hunting lodge, and his portraits of court dwarfs display the same discerning eye as those of his royal subjects. On a second visit to Rome (1649 ?C 51) he painted a portrait of Pope Innocent X. The powerful head, brilliant combinations of crimson of the curtain, chair, and cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velazquez development. This portrait was copied innumerable times and won him immediate and lasting renown in Italy. In his last years he created his masterpiece, Las Meninas (The Maids of Honour, 1656). In this casual scene, the artist is shown painting the king and queen in the presence of the infanta Margarita and her attendants; the nearly life size figures are painted in more or less detail according to their relation to the central figure of the infanta and to the source of light, creating a remarkable illusion of reality never surpassed by Velazquez or any other artist of his age. He is universally acknowledged as one of the giants of Western art.

China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinafineart.com

China Oil Painting Studio Team