Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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Tintoretto The Painted over portrait of Marino Falier,Sala del Maggior Consiglio oil painting


The Painted over portrait of Marino Falier,Sala del Maggior Consiglio
mk157 Venice
Painting ID::  41130
Tintoretto
The Painted over portrait of Marino Falier,Sala del Maggior Consiglio
mk157 Venice
   
   
     

Tintoretto San Roch oil painting


San Roch
mk157 1583-57 Scuola Grande di San Rocco Venice
Painting ID::  41220
Tintoretto
San Roch
mk157 1583-57 Scuola Grande di San Rocco Venice
   
   
     

Tintoretto The Finding of Moses oil painting


The Finding of Moses
mk161 Oil on canvas 30x52
Painting ID::  41281
Tintoretto
The Finding of Moses
mk161 Oil on canvas 30x52
   
   
     

Tintoretto Kruisiging oil painting


Kruisiging
MK169 1565 Cloth 5.36x12.3m Suola Tue San Rocco Venetie
Painting ID::  42668
Tintoretto
Kruisiging
MK169 1565 Cloth 5.36x12.3m Suola Tue San Rocco Venetie
   
   
     

Tintoretto St. George and the Dragon oil painting


St. George and the Dragon
1555-58 Oil on canvas, 157.5 x 100.3 cm
Painting ID::  43614
Tintoretto
St. George and the Dragon
1555-58 Oil on canvas, 157.5 x 100.3 cm
   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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