Sebastiano Ricci
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

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Sebastiano Ricci Esther vor dem persischen Konig Ahasver oil painting


Esther vor dem persischen Konig Ahasver
Date 1733-1734 Medium Oil on canvas Dimensions Deutsch: 47 ?? 33 cm cyf
Painting ID::  76403
Sebastiano Ricci
Esther vor dem persischen Konig Ahasver
Date 1733-1734 Medium Oil on canvas Dimensions Deutsch: 47 ?? 33 cm cyf
   
   
     

Sebastiano Ricci Heilige Familie und der Hl. Ignatius von Loyola oil painting


Heilige Familie und der Hl. Ignatius von Loyola
1704 Oil on canvas 127,5 ?? 95,5 cm cjr
Painting ID::  76672
Sebastiano Ricci
Heilige Familie und der Hl. Ignatius von Loyola
1704 Oil on canvas 127,5 ?? 95,5 cm cjr
   
   
     

Sebastiano Ricci Hl. Prokulus, Hl. Firmus und Hl. Rusticus von Verona sowie ein Engel oil painting


Hl. Prokulus, Hl. Firmus und Hl. Rusticus von Verona sowie ein Engel
1704 Oil on canvas 380 x 250 cm cjr
Painting ID::  78416
Sebastiano Ricci
Hl. Prokulus, Hl. Firmus und Hl. Rusticus von Verona sowie ein Engel
1704 Oil on canvas 380 x 250 cm cjr
   
   
     

Sebastiano Ricci Heilige Familie und der Hl oil painting


Heilige Familie und der Hl
1704 Medium Oil on canvas Dimensions Deutsch: 127,5 x 95,5 cm cyf
Painting ID::  78621
Sebastiano Ricci
Heilige Familie und der Hl
1704 Medium Oil on canvas Dimensions Deutsch: 127,5 x 95,5 cm cyf
   
   
     

Sebastiano Ricci Elisabeth von Ungarn oil painting


Elisabeth von Ungarn
1706-1708 Medium Oil on canvas Dimensions Deutsch: 180 x 115 cm cyf
Painting ID::  78700
Sebastiano Ricci
Elisabeth von Ungarn
1706-1708 Medium Oil on canvas Dimensions Deutsch: 180 x 115 cm cyf
   
   
     

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     Sebastiano Ricci
     (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

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