Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer Coming from Evening Church oil painting


Coming from Evening Church
1830 Tate Gallery, London
Painting ID::  1100 		Samuel Palmer
Coming from Evening Church
1830 Tate Gallery, London
   
   
     
Samuel Palmer The Rest on the Flight into Egypt 2 oil painting


The Rest on the Flight into Egypt 2
1825 Ashmolean Museum, Oxford
Painting ID::  1103 		Samuel Palmer
The Rest on the Flight into Egypt 2
1825 Ashmolean Museum, Oxford
   
   
     
Samuel Palmer In a Shoreham Garden oil painting


In a Shoreham Garden
mk49 c.1829
Painting ID::  26350 		Samuel Palmer
In a Shoreham Garden
mk49 c.1829
   
   
     
Samuel Palmer Coming from Evening Church oil painting


Coming from Evening Church
mk49 1830
Painting ID::  26357 		Samuel Palmer
Coming from Evening Church
mk49 1830
   
   
     
Samuel Palmer The Valley Thick with Corn oil painting


The Valley Thick with Corn
mk49 1825
Painting ID::  26355 		Samuel Palmer
The Valley Thick with Corn
mk49 1825
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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