Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer Sketch from Nature in Syon park oil painting


Sketch from Nature in Syon park
mk49 1819 Oil on linen laid onto millboard
Painting ID::  26366 		Samuel Palmer
Sketch from Nature in Syon park
mk49 1819 Oil on linen laid onto millboard
   
   
     
Samuel Palmer Study of Old Builings oil painting


Study of Old Builings
mk49 1821 Brown ink and brown wash 19.2x26.7cm
Painting ID::  26367 		Samuel Palmer
Study of Old Builings
mk49 1821 Brown ink and brown wash 19.2x26.7cm
   
   
     
Samuel Palmer Evening oil painting


Evening
mk49 1821 Brown ink and brown wash
Painting ID::  26368 		Samuel Palmer
Evening
mk49 1821 Brown ink and brown wash
   
   
     
Samuel Palmer A Hilly Scene oil painting


A Hilly Scene
mk49 c.1824-6 Watercolour and gum arabic on mahogany support 20.6x13.7cm
Painting ID::  26369 		Samuel Palmer
A Hilly Scene
mk49 c.1824-6 Watercolour and gum arabic on mahogany support 20.6x13.7cm
   
   
     
Samuel Palmer At Hailsham,Storm Approaching oil painting


At Hailsham,Storm Approaching
mk49 1821 Watercolour wash and gouache. 20.9x31.4cm
Painting ID::  26370 		Samuel Palmer
At Hailsham,Storm Approaching
mk49 1821 Watercolour wash and gouache. 20.9x31.4cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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