Rosso Fiorentino
Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.

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Rosso Fiorentino Portrait of a Young Woman oil painting


Portrait of a Young Woman
Galleria degli Uffizi, Florence
Painting ID::  3626
Rosso Fiorentino
Portrait of a Young Woman
Galleria degli Uffizi, Florence
   
   
     

Rosso Fiorentino Macabre Allegory oil painting


Macabre Allegory
Galleria degli Uffizi, Florence
Painting ID::  3627
Rosso Fiorentino
Macabre Allegory
Galleria degli Uffizi, Florence
   
   
     

Rosso Fiorentino The Dead Christ Watched Over by Angels oil painting


The Dead Christ Watched Over by Angels
Museum of Fine Arts, Boston
Painting ID::  3628
Rosso Fiorentino
The Dead Christ Watched Over by Angels
Museum of Fine Arts, Boston
   
   
     

Rosso Fiorentino Deposition from the Cross oil painting


Deposition from the Cross
San Lorenzo, Sansepolcro
Painting ID::  3629
Rosso Fiorentino
Deposition from the Cross
San Lorenzo, Sansepolcro
   
   
     

Rosso Fiorentino Deposition from the Cross oil painting


Deposition from the Cross
Pinacoteca Civica, Volterra
Painting ID::  3630
Rosso Fiorentino
Deposition from the Cross
Pinacoteca Civica, Volterra
   
   
     

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     Rosso Fiorentino
     Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.

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