Rembrandt van rijn
1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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Rembrandt van rijn Details of  The polish rider oil painting


Details of The polish rider
mk76 Painted c.1655 Oil on canvas 46x53 1/8in
Painting ID::  31764
Rembrandt van rijn
Details of The polish rider
mk76 Painted c.1655 Oil on canvas 46x53 1/8in
   
   
     

Rembrandt van rijn Details of  The polish rider oil painting


Details of The polish rider
mk76 Painted c.1655 Oil on canvas 46x53 1/8in
Painting ID::  31765
Rembrandt van rijn
Details of The polish rider
mk76 Painted c.1655 Oil on canvas 46x53 1/8in
   
   
     

Rembrandt van rijn Rembrandt oil painting


Rembrandt
mk148 Traditonellerweise is to be seen often also Asenat (to the right) although neither the Bible report nor" Josef and Asenat" of its presence
Painting ID::  39398
Rembrandt van rijn
Rembrandt
mk148 Traditonellerweise is to be seen often also Asenat (to the right) although neither the Bible report nor" Josef and Asenat" of its presence
   
   
     

Rembrandt van rijn David Playing the Harp before Saul oil painting


David Playing the Harp before Saul
mk155 c.1655 oil on canvas 130x164.3cm
Painting ID::  39921
Rembrandt van rijn
David Playing the Harp before Saul
mk155 c.1655 oil on canvas 130x164.3cm
   
   
     

Rembrandt van rijn Self-Portrait with Dog oil painting


Self-Portrait with Dog
mk155 1631 Oil on wood 63x56cm
Painting ID::  39922
Rembrandt van rijn
Self-Portrait with Dog
mk155 1631 Oil on wood 63x56cm
   
   
     

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     Rembrandt van rijn
     1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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