Rembrandt van rijn
1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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Rembrandt van rijn Self-portrait with Velvet Beret and Furred Mantel oil painting


Self-portrait with Velvet Beret and Furred Mantel
Date 1634(1634) Medium Oil on oak Dimensions Height: 58 cm (22.8 in). Width: 48 cm (18.9 in). cjr
Painting ID::  80392
Rembrandt van rijn
Self-portrait with Velvet Beret and Furred Mantel
Date 1634(1634) Medium Oil on oak Dimensions Height: 58 cm (22.8 in). Width: 48 cm (18.9 in). cjr
   
   
     

Rembrandt van rijn Portrait of Saskia with a Flower oil painting


Portrait of Saskia with a Flower
Date 1641(1641) Medium Oil on wood cjr
Painting ID::  80476
Rembrandt van rijn
Portrait of Saskia with a Flower
Date 1641(1641) Medium Oil on wood cjr
   
   
     

Rembrandt van rijn Holy Family oil painting


Holy Family
Date 1640(1640) Medium Oil on wood Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in). cjr
Painting ID::  80610
Rembrandt van rijn
Holy Family
Date 1640(1640) Medium Oil on wood Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in). cjr
   
   
     

Rembrandt van rijn Christ and the Woman of Samaria oil painting


Christ and the Woman of Samaria
Date 1659(1659) Medium Oil on oak Dimensions Height: 48 cm (18.9 in). Width: 41 cm (16.1 in). cjr
Painting ID::  80611
Rembrandt van rijn
Christ and the Woman of Samaria
Date 1659(1659) Medium Oil on oak Dimensions Height: 48 cm (18.9 in). Width: 41 cm (16.1 in). cjr
   
   
     

Rembrandt van rijn The Good Samaritan oil painting


The Good Samaritan
1630 Medium Oil on canvas Dimensions 68.5 x 57.3 cm (27 x 22.6 in) cyf
Painting ID::  80936
Rembrandt van rijn
The Good Samaritan
1630 Medium Oil on canvas Dimensions 68.5 x 57.3 cm (27 x 22.6 in) cyf
   
   
     

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     Rembrandt van rijn
     1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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