Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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Pierre-Auguste Renoir Garden scene in Brittany oil painting


Garden scene in Brittany
mk141 1886 Oil on canvas
Painting ID::  38801
Pierre-Auguste Renoir
Garden scene in Brittany
mk141 1886 Oil on canvas
   
   
     

Pierre-Auguste Renoir Camille Monet and Her son Jean in the Garden at Arenteuil oil painting


Camille Monet and Her son Jean in the Garden at Arenteuil
mk141 1874 National Gallery of Art
Painting ID::  38802
Pierre-Auguste Renoir
Camille Monet and Her son Jean in the Garden at Arenteuil
mk141 1874 National Gallery of Art
   
   
     

Pierre-Auguste Renoir Picking Flowers oil painting


Picking Flowers
mk141 ca.1874 Oil on canvas
Painting ID::  38807
Pierre-Auguste Renoir
Picking Flowers
mk141 ca.1874 Oil on canvas
   
   
     

Pierre-Auguste Renoir The Swing oil painting


The Swing
mk141 1876 Musee d-Orsay, Paris
Painting ID::  38808
Pierre-Auguste Renoir
The Swing
mk141 1876 Musee d-Orsay, Paris
   
   
     

Pierre-Auguste Renoir Monet Painting in His Garden Argenteuil oil painting


Monet Painting in His Garden Argenteuil
mk141 ca.1873 Wadsworth Atheneum,Hartford
Painting ID::  38814
Pierre-Auguste Renoir
Monet Painting in His Garden Argenteuil
mk141 ca.1873 Wadsworth Atheneum,Hartford
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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