Philipp veit
1793 - 1877) was a German Romantic painter.German painter. The stepson, from 1804, of Friedrich von Schlegel, he studied (1808-11) at the Akademie in Dresden under Friedrich Matth?i (1777-1845) and Caspar David Friedrich. He showed talent in drawing but, on moving to Vienna in 1811, had difficulties with painting in oil, and turned to watercolour. Through Schlegel, Veit came to know many of the leading Romantics in Vienna, such as the poet and novelist Joseph von Eichendorff. In 1813-14 Veit took part in the campaign against Napoleon and returned briefly to Berlin. In 1815 he completed a votive picture, the Virgin with Christ and St John, for the church of St James in Heiligenstadt, Vienna (in situ), inspired by the work of Pietro Perugino and Raphael. In 1815 Veit left for Italy where he stayed until 1830. In Rome he joined the circle around Friedrich Overbeck and Peter Cornelius, becoming a leading Nazarene (see NAZARENES). With these artists he took part in providing fresco decorations (1816-17) for the Casa Bartholdy (now the Bibliotheca Hertziana): Veit painted the scene of Joseph and Potiphar's Wife and a decorative lunette allegory, the Seven Years of Plenty (both now Berlin, Staatl. Mussen, N.G.). In 1818 Veit was commissioned to paint the fresco of the Triumph of Religion in the Museo Chiaramonti in the Vatican, one of a series of murals recording the services of Pope Pius VII to science and art.

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Philipp veit Italia:Introduction of the Art therouth Christianity Completed (mk45) oil painting


Italia:Introduction of the Art therouth Christianity Completed (mk45)
1833 Fresco,transferred to canvas 284.5X191cm
Painting ID::  25945
Philipp veit
Italia:Introduction of the Art therouth Christianity Completed (mk45)
1833 Fresco,transferred to canvas 284.5X191cm
   
   
     

Philipp veit Germania (mk45) oil painting


Germania (mk45)
1848 Oil on canvas 482x320cm Nuremberg,Germanisches Nationalmuseum
Painting ID::  25946
Philipp veit
Germania (mk45)
1848 Oil on canvas 482x320cm Nuremberg,Germanisches Nationalmuseum
   
   
     

Philipp veit Germania, by Philipp Veit oil painting


Germania, by Philipp Veit
Germania, by Philipp Veit
Painting ID::  61381
Philipp veit
Germania, by Philipp Veit
Germania, by Philipp Veit
   
   
     

Philipp veit Fresco in the Stadelschen Institute, right side, scene, allegorical figure of Germania oil painting


Fresco in the Stadelschen Institute, right side, scene, allegorical figure of Germania
Date 1834-1836 285 x 192 cm TTD
Painting ID::  93652
Philipp veit
Fresco in the Stadelschen Institute, right side, scene, allegorical figure of Germania
Date 1834-1836 285 x 192 cm TTD
   
   
     

Philipp veit wall fresco, St. Pauls Church oil painting


wall fresco, St. Pauls Church
Date 1848 wall fresco, St. Pauls Church, Frankfurt am Main, designed to cover the organ during the Frankfurt Assembly/Parliament, 1848-49 TTD
Painting ID::  93653
Philipp veit
wall fresco, St. Pauls Church
Date 1848 wall fresco, St. Pauls Church, Frankfurt am Main, designed to cover the organ during the Frankfurt Assembly/Parliament, 1848-49 TTD
   
   
     

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     Philipp veit
     1793 - 1877) was a German Romantic painter.German painter. The stepson, from 1804, of Friedrich von Schlegel, he studied (1808-11) at the Akademie in Dresden under Friedrich Matth?i (1777-1845) and Caspar David Friedrich. He showed talent in drawing but, on moving to Vienna in 1811, had difficulties with painting in oil, and turned to watercolour. Through Schlegel, Veit came to know many of the leading Romantics in Vienna, such as the poet and novelist Joseph von Eichendorff. In 1813-14 Veit took part in the campaign against Napoleon and returned briefly to Berlin. In 1815 he completed a votive picture, the Virgin with Christ and St John, for the church of St James in Heiligenstadt, Vienna (in situ), inspired by the work of Pietro Perugino and Raphael. In 1815 Veit left for Italy where he stayed until 1830. In Rome he joined the circle around Friedrich Overbeck and Peter Cornelius, becoming a leading Nazarene (see NAZARENES). With these artists he took part in providing fresco decorations (1816-17) for the Casa Bartholdy (now the Bibliotheca Hertziana): Veit painted the scene of Joseph and Potiphar's Wife and a decorative lunette allegory, the Seven Years of Plenty (both now Berlin, Staatl. Mussen, N.G.). In 1818 Veit was commissioned to paint the fresco of the Triumph of Religion in the Museo Chiaramonti in the Vatican, one of a series of murals recording the services of Pope Pius VII to science and art.

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