Pater, Jean-Baptiste
French Rococo Era Painter, 1695-1736 French painter and draughtsman. He was taught in Valenciennes by Jean-Baptiste Guid? (master 1697; d 1711) and also by his father, Antoine Pater (1670-1747), a sculptor whose portrait was painted by Antoine Watteau (Valenciennes, Mus. B.-A.), who was also a native of Valenciennes. He probably followed Watteau to Paris after the short stay that the latter made in Valenciennes around 1710. Pater thus became a pupil of Watteau. Watteau's difficult character led to Pater's dismissal. He then spent a few hard years on his own in Paris, before returning to Valenciennes around 1715 or 1716. He tried to work independently of the local corporation of St Luc, of which he was not a member; a number of comical legal difficulties ensued, and Pater returned to Paris in 1718. There he must have been in contact with Watteau, since he worked for some of the latter's clients, such as the dealers Pierre Sirois and Edm?-Fran?ois Gersaint, and the collector Jean de Jullienne. In the spring of 1721 the dying Watteau called Pater to him at Nogent, near Paris, apparently full of remorse for his previous attitude and wishing to instruct him in the basic tenets of his painting,

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Pater, Jean-Baptiste Gathering of Actors from the Italian Comedy (mk05) oil painting


Gathering of Actors from the Italian Comedy (mk05)
Canvas 9 1/2 x 12 1/2''(24 x 32 cm)Bequest of Dr Louis La Caze 1869 M I
Painting ID::  20700
Pater, Jean-Baptiste
Gathering of Actors from the Italian Comedy (mk05)
Canvas 9 1/2 x 12 1/2''(24 x 32 cm)Bequest of Dr Louis La Caze 1869 M I
   
   
     

Pater, Jean-Baptiste A Country Festival with Soldiers Rejoicing (mk05) oil painting


A Country Festival with Soldiers Rejoicing (mk05)
1728 Canvas 45 x 60 1/2''(114 x 154 cm)Reception picture for the Academie Royale de Peinture et de Sculpture Collection of the Academie Royale INV
Painting ID::  20701
Pater, Jean-Baptiste
A Country Festival with Soldiers Rejoicing (mk05)
1728 Canvas 45 x 60 1/2''(114 x 154 cm)Reception picture for the Academie Royale de Peinture et de Sculpture Collection of the Academie Royale INV
   
   
     

Pater, Jean-Baptiste The Toilette (mk05) oil painting


The Toilette (mk05)
Canvas 18 1/2 x 15''(47 x 38 cm)Bequest of Dr Louis La Caze 1869 M I
Painting ID::  20702
Pater, Jean-Baptiste
The Toilette (mk05)
Canvas 18 1/2 x 15''(47 x 38 cm)Bequest of Dr Louis La Caze 1869 M I
   
   
     

Pater, Jean-Baptiste Soldiers'Etape oil painting


Soldiers'Etape
mk65 Oil on panel 11x13"
Painting ID::  29361
Pater, Jean-Baptiste
Soldiers'Etape
mk65 Oil on panel 11x13"
   
   
     

Pater, Jean-Baptiste Soldiers Setting out from the Etape oil painting


Soldiers Setting out from the Etape
mk65 Oil on panel 11x13 1/2"
Painting ID::  29362
Pater, Jean-Baptiste
Soldiers Setting out from the Etape
mk65 Oil on panel 11x13 1/2"
   
   
     

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     Pater, Jean-Baptiste
     French Rococo Era Painter, 1695-1736 French painter and draughtsman. He was taught in Valenciennes by Jean-Baptiste Guid? (master 1697; d 1711) and also by his father, Antoine Pater (1670-1747), a sculptor whose portrait was painted by Antoine Watteau (Valenciennes, Mus. B.-A.), who was also a native of Valenciennes. He probably followed Watteau to Paris after the short stay that the latter made in Valenciennes around 1710. Pater thus became a pupil of Watteau. Watteau's difficult character led to Pater's dismissal. He then spent a few hard years on his own in Paris, before returning to Valenciennes around 1715 or 1716. He tried to work independently of the local corporation of St Luc, of which he was not a member; a number of comical legal difficulties ensued, and Pater returned to Paris in 1718. There he must have been in contact with Watteau, since he worked for some of the latter's clients, such as the dealers Pierre Sirois and Edm?-Fran?ois Gersaint, and the collector Jean de Jullienne. In the spring of 1721 the dying Watteau called Pater to him at Nogent, near Paris, apparently full of remorse for his previous attitude and wishing to instruct him in the basic tenets of his painting,

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