Niko Pirosmanashvili
(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
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Niko Pirosmanashvili A girl and a goose with goslings oil painting


A girl and a goose with goslings
from 1862(1862) until 1918(1918) Medium Oil on cardboard cyf
Painting ID::  83678 		Niko Pirosmanashvili
A girl and a goose with goslings
from 1862(1862) until 1918(1918) Medium Oil on cardboard cyf
   
   
     
Niko Pirosmanashvili Molokani Carousing oil painting


Molokani Carousing
1905(1905) Medium Oil on oilcloth Dimensions 112 x 179.5 cm (44.1 x 70.7 in) cyf
Painting ID::  84730 		Niko Pirosmanashvili
Molokani Carousing
1905(1905) Medium Oil on oilcloth Dimensions 112 x 179.5 cm (44.1 x 70.7 in) cyf
   
   
     
Niko Pirosmanashvili Healer on a Donkey oil painting


Healer on a Donkey
Date 1900s(1900s) Medium Oil on oilcloth Dimensions 80 x 100 cm (31.5 x 39.4 in) cjr
Painting ID::  86184 		Niko Pirosmanashvili
Healer on a Donkey
Date 1900s(1900s) Medium Oil on oilcloth Dimensions 80 x 100 cm (31.5 x 39.4 in) cjr
   
   
     
Niko Pirosmanashvili Autumn Feast oil painting


Autumn Feast
Date from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 179.5 X 379 cm (70.7 X 149.2 in) TTD
Painting ID::  92521 		Niko Pirosmanashvili
Autumn Feast
Date from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 179.5 X 379 cm (70.7 X 149.2 in) TTD
   
   
     
Niko Pirosmanashvili Shepherd in a Sheepskin Cloak on a Red Background oil painting


Shepherd in a Sheepskin Cloak on a Red Background
Description Niko Pirosmani. Shepherd in a Sheepskin Cloak on a Red Background. Oil on oilcloth. Private collection.jpg English: Niko Pirosmani. Shepherd in a Sheepskin Cloak on a Red Background. Oil on oilcloth. Private collection Date pre 1919 TTD
Painting ID::  92522 		Niko Pirosmanashvili
Shepherd in a Sheepskin Cloak on a Red Background
Description Niko Pirosmani. Shepherd in a Sheepskin Cloak on a Red Background. Oil on oilcloth. Private collection.jpg English: Niko Pirosmani. Shepherd in a Sheepskin Cloak on a Red Background. Oil on oilcloth. Private collection Date pre 1919 TTD
   
   
     
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     Niko Pirosmanashvili
     (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

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