Matthias Grunewald
German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,

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Matthias Grunewald The Resurrection,from the isenheim altarpiece oil painting


The Resurrection,from the isenheim altarpiece
mk176 c.1510-15
Painting ID::  44873
Matthias Grunewald
The Resurrection,from the isenheim altarpiece
mk176 c.1510-15
   
   
     

Matthias Grunewald The Crucifixion from the isenheim Altarpiece oil painting


The Crucifixion from the isenheim Altarpiece
mk176 c.1510-15 Oil on wood center panel
Painting ID::  44874
Matthias Grunewald
The Crucifixion from the isenheim Altarpiece
mk176 c.1510-15 Oil on wood center panel
   
   
     

Matthias Grunewald lsenheim altarpiece oil painting


lsenheim altarpiece
mk247 c.1412 to 15 ,oil on panel,198x312 in,500x800 cm,musee d unterlinden,colmar,france
Painting ID::  56005
Matthias Grunewald
lsenheim altarpiece
mk247 c.1412 to 15 ,oil on panel,198x312 in,500x800 cm,musee d unterlinden,colmar,france
   
   
     

Matthias Grunewald den helige antonius besoker paulus eremiten oil painting


den helige antonius besoker paulus eremiten
mk248 isnheimaltaret den dar berattelsen borde alla ba kant till som bad i antoniterklostrets kapell i isenbeim. den gamle eremiten beratter for antoniusordens skyddsbelgon om den korp som mirakulost nog forsett bonom med en balv brodlimpa varje deg i sextio ar fust den dagen skotte fageln sin plikt dubbelt upp ganom att aven ta med sig en portion till den belige antonius.
Painting ID::  56598
Matthias Grunewald
den helige antonius besoker paulus eremiten
mk248 isnheimaltaret den dar berattelsen borde alla ba kant till som bad i antoniterklostrets kapell i isenbeim. den gamle eremiten beratter for antoniusordens skyddsbelgon om den korp som mirakulost nog forsett bonom med en balv brodlimpa varje deg i sextio ar fust den dagen skotte fageln sin plikt dubbelt upp ganom att aven ta med sig en portion till den belige antonius.
   
   
     

Matthias Grunewald The Crucifixion, central panel of the Isenheim Altarpiece. oil painting


The Crucifixion, central panel of the Isenheim Altarpiece.
The Crucifixion, central panel of the Isenheim Altarpiece.
Painting ID::  59176
Matthias Grunewald
The Crucifixion, central panel of the Isenheim Altarpiece.
The Crucifixion, central panel of the Isenheim Altarpiece.
   
   
     

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     Matthias Grunewald
     German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,

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