MOEYAERT, Claes Cornelisz.
Dutch painter (b. 1590/91, Durgerdam, d. 1655, Durgerdam) Dutch painter, etcher and draughtsman. He was the son of an aristocratic Catholic Amsterdam merchant and moved to the city with his family in 1605. He was the most prolific of the history painters now called the PRE-REMBRANDTISTS, whose representations of biblical and mythological narratives, as well as of more recent secular history, give particular emphasis to dramatic and psychological effects. After working initially as a draughtsman and etcher, Moeyaert soon made his name as a painter. Landscapes with animals feature prominently in both his etchings and his paintings. At first he followed the lead of Adam Elsheimer, then of fellow Pre-Rembrandtists Pieter Lastman and Jan and Jacob Pynas, eventually, in the mid-1630s,

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MOEYAERT, Claes Cornelisz. Moses Ordering the Slaughter of the Midianitic ag oil painting


Moses Ordering the Slaughter of the Midianitic ag
1650 Oil on canvas Private collection
Painting ID::  8231
MOEYAERT, Claes Cornelisz.
Moses Ordering the Slaughter of the Midianitic ag
1650 Oil on canvas Private collection
   
   
     

MOEYAERT, Claes Cornelisz. Triumph of Bacchus ga oil painting


Triumph of Bacchus ga
1624 Oil on canvas Mauritshuis, The Hague
Painting ID::  8232
MOEYAERT, Claes Cornelisz.
Triumph of Bacchus ga
1624 Oil on canvas Mauritshuis, The Hague
   
   
     

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     MOEYAERT, Claes Cornelisz.
     Dutch painter (b. 1590/91, Durgerdam, d. 1655, Durgerdam) Dutch painter, etcher and draughtsman. He was the son of an aristocratic Catholic Amsterdam merchant and moved to the city with his family in 1605. He was the most prolific of the history painters now called the PRE-REMBRANDTISTS, whose representations of biblical and mythological narratives, as well as of more recent secular history, give particular emphasis to dramatic and psychological effects. After working initially as a draughtsman and etcher, Moeyaert soon made his name as a painter. Landscapes with animals feature prominently in both his etchings and his paintings. At first he followed the lead of Adam Elsheimer, then of fellow Pre-Rembrandtists Pieter Lastman and Jan and Jacob Pynas, eventually, in the mid-1630s,

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