John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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John Henry Twachtman End of Winter oil painting


End of Winter
mk68 Oil on canvas Washington Smithsonian American Art. c.1889 USA
Painting ID::  30856
John Henry Twachtman
End of Winter
mk68 Oil on canvas Washington Smithsonian American Art. c.1889 USA
   
   
     

John Henry Twachtman Arques la Bataille oil painting


Arques la Bataille
mk75 1885 Huile sur toile:152.4x200.3cm
Painting ID::  31701
John Henry Twachtman
Arques la Bataille
mk75 1885 Huile sur toile:152.4x200.3cm
   
   
     

John Henry Twachtman The White Bridge oil painting


The White Bridge
mk77 Mid-1890s Oil on canvas 30 1/4x30 1/4in
Painting ID::  32038
John Henry Twachtman
The White Bridge
mk77 Mid-1890s Oil on canvas 30 1/4x30 1/4in
   
   
     

John Henry Twachtman Meadow Flowers oil painting


Meadow Flowers
mk140 circa 1892 Oil on canvas 84.6x56.3cm
Painting ID::  39098
John Henry Twachtman
Meadow Flowers
mk140 circa 1892 Oil on canvas 84.6x56.3cm
   
   
     

John Henry Twachtman Hemlock Pool oil painting


Hemlock Pool
mk146 ca.1900
Painting ID::  39300
John Henry Twachtman
Hemlock Pool
mk146 ca.1900
   
   
     

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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