John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
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John Henry Twachtman The White Bridge oil painting


The White Bridge
mk235 c.1900 Oil on canvas
Painting ID::  54497 		John Henry Twachtman
The White Bridge
mk235 c.1900 Oil on canvas
   
   
     
John Henry Twachtman The White Bridge, oil painting


The White Bridge,
The White Bridge, ca. 1895, Minneapolis Institute of Arts
Painting ID::  61224 		John Henry Twachtman
The White Bridge,
The White Bridge, ca. 1895, Minneapolis Institute of Arts
   
   
     
John Henry Twachtman Summer, oil painting


Summer,
Summer, 1897-99, Phillips Collection.
Painting ID::  61225 		John Henry Twachtman
Summer,
Summer, 1897-99, Phillips Collection.
   
   
     
John Henry Twachtman Meadow Flowers oil painting


Meadow Flowers
ca. 1892 Oil on canvas 84.6 x 56.3 cm (33.31 x 22.17 in)
Painting ID::  66157 		John Henry Twachtman
Meadow Flowers
ca. 1892 Oil on canvas 84.6 x 56.3 cm (33.31 x 22.17 in)
   
   
     
John Henry Twachtman Meadow Flowers oil painting


Meadow Flowers
Medium Oil on canvas Dimensions Expression error: Missing operand for *84.6 ?? 56.3 cm
Painting ID::  70564 		John Henry Twachtman
Meadow Flowers
Medium Oil on canvas Dimensions Expression error: Missing operand for *84.6 ?? 56.3 cm
   
   
     
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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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