Johan Barthold Jongkind
Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.

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Johan Barthold Jongkind Norwegian Ship oil painting


Norwegian Ship
Norwegian Naval Ship Leaving the Port of Honfleur 1865 cjr
Painting ID::  73322
Johan Barthold Jongkind
Norwegian Ship
Norwegian Naval Ship Leaving the Port of Honfleur 1865 cjr
   
   
     

Johan Barthold Jongkind River View in France, Possibly near Pontoise oil painting


River View in France, Possibly near Pontoise
1855(1855) Medium oil on canvas Dimensions 24.3 X 32.4 cm (9.6 X 12.8 in) cjr
Painting ID::  92516
Johan Barthold Jongkind
River View in France, Possibly near Pontoise
1855(1855) Medium oil on canvas Dimensions 24.3 X 32.4 cm (9.6 X 12.8 in) cjr
   
   
     

Johan Barthold Jongkind Rue Notre-Dame, Paris oil painting


Rue Notre-Dame, Paris
1866(1866) Medium oil on canvas Dimensions 39 X 47 cm (15.4 X 18.5 in) cjr
Painting ID::  92975
Johan Barthold Jongkind
Rue Notre-Dame, Paris
1866(1866) Medium oil on canvas Dimensions 39 X 47 cm (15.4 X 18.5 in) cjr
   
   
     

Johan Barthold Jongkind Rotterdam in the Moonlight oil painting


Rotterdam in the Moonlight
1881(1881) Medium oil on canvas Dimensions 34 X 46 cm (13.4 X 18.1 in) cjr
Painting ID::  93054
Johan Barthold Jongkind
Rotterdam in the Moonlight
1881(1881) Medium oil on canvas Dimensions 34 X 46 cm (13.4 X 18.1 in) cjr
   
   
     

Johan Barthold Jongkind Mills near Rotterdam oil painting


Mills near Rotterdam
1857(1857) Medium oil on canvas Dimensions 42.5 X 55 cm (16.7 X 21.7 in) cjr
Painting ID::  93055
Johan Barthold Jongkind
Mills near Rotterdam
1857(1857) Medium oil on canvas Dimensions 42.5 X 55 cm (16.7 X 21.7 in) cjr
   
   
     

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     Johan Barthold Jongkind
     Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.

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