Jean antoine Watteau
French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
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Jean antoine Watteau Gersaint s Shop Sign oil painting


Gersaint s Shop Sign
mk53 1720-1 Oil on canvas 166x306cm Berlin,Schloss Charlottenburg
Painting ID::  26627 		Jean antoine Watteau
Gersaint s Shop Sign
mk53 1720-1 Oil on canvas 166x306cm Berlin,Schloss Charlottenburg
   
   
     
Jean antoine Watteau The rest in the flight to Egypt oil painting


The rest in the flight to Egypt
mk166 1715 I Wave on cloth 129x98cm Museum of the Ermitage, San Petersburgo
Painting ID::  42066 		Jean antoine Watteau
The rest in the flight to Egypt
mk166 1715 I Wave on cloth 129x98cm Museum of the Ermitage, San Petersburgo
   
   
     
Jean antoine Watteau Figures from the Italian Commedia dell arte oil painting


Figures from the Italian Commedia dell arte
mk234 probably 1720 63x76cm
Painting ID::  53833 		Jean antoine Watteau
Figures from the Italian Commedia dell arte
mk234 probably 1720 63x76cm
   
   
     
Jean antoine Watteau avfarden till kythera oil painting


avfarden till kythera
mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
Painting ID::  56710 		Jean antoine Watteau
avfarden till kythera
mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
   
   
     
Jean antoine Watteau gilles oil painting


gilles
mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
Painting ID::  56711 		Jean antoine Watteau
gilles
mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
   
   
     
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     Jean antoine Watteau
     French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume

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