Jean Marc Nattier
1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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Jean Marc Nattier Marie Adelaide de Bourbon oil painting


Marie Adelaide de Bourbon
before 1766(1766) Medium Oil on canvas Dimensions 222 x 148 cm (87.4 x 58.3 in) cyf
Painting ID::  81133
Jean Marc Nattier
Marie Adelaide de Bourbon
before 1766(1766) Medium Oil on canvas Dimensions 222 x 148 cm (87.4 x 58.3 in) cyf
   
   
     

Jean Marc Nattier Portrait of Louise Henriette Gabrielle de Lorraine oil painting


Portrait of Louise Henriette Gabrielle de Lorraine
1746(1746) Medium Oil on canvas Dimensions 80 x 65 cm (31.5 x 25.6 in) cyf
Painting ID::  81382
Jean Marc Nattier
Portrait of Louise Henriette Gabrielle de Lorraine
1746(1746) Medium Oil on canvas Dimensions 80 x 65 cm (31.5 x 25.6 in) cyf
   
   
     

Jean Marc Nattier Anne Henriette of France represented as Flora oil painting


Anne Henriette of France represented as Flora
1742(1742) Medium Oil on canvas Dimensions 96 x 151 cm (37.8 x 59.4 in) cyf
Painting ID::  81425
Jean Marc Nattier
Anne Henriette of France represented as Flora
1742(1742) Medium Oil on canvas Dimensions 96 x 151 cm (37.8 x 59.4 in) cyf
   
   
     

Jean Marc Nattier Madame Adeaide de France Tying Knots oil painting


Madame Adeaide de France Tying Knots
1756(1756) Medium Oil on canvas Dimensions 128 x 96 cm (50.4 x 37.8 in) cyf
Painting ID::  81461
Jean Marc Nattier
Madame Adeaide de France Tying Knots
1756(1756) Medium Oil on canvas Dimensions 128 x 96 cm (50.4 x 37.8 in) cyf
   
   
     

Jean Marc Nattier Muse of Comedy oil painting


Muse of Comedy
1739 Medium Oil on canvas Dimensions 135.9 x 124.5 cm cyf
Painting ID::  82068
Jean Marc Nattier
Muse of Comedy
1739 Medium Oil on canvas Dimensions 135.9 x 124.5 cm cyf
   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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