Jean-Jacques Henner
1829-1905 French Jean Jacques Henner Galleries French painter. He was born into a peasant family in the Sundgau and received his first artistic training at Altkirch with Charles Goutzwiller (1810-1900) and later in Strasbourg in the studio of Gabriel-Christophe Gu?rin (1790-1846). In 1846 he enrolled at the Ecole des Beaux-Arts in Paris as a pupil of Michel-Martin Drolling and, from 1851, of Francois-Edouard Picot. While a student he was particularly drawn to portraiture, and during his frequent visits to Alsace he made portraits of his family as well as of the notables of the region. He also painted scenes of Alsatian peasant life.

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Jean-Jacques Henner Le reveil de l enfant oil painting


Le reveil de l enfant
Le reveil de l enfant Mus??e des Beaux-Arts, Dijon
Painting ID::  59366
Jean-Jacques Henner
Le reveil de l enfant
Le reveil de l enfant Mus??e des Beaux-Arts, Dijon
   
   
     

Jean-Jacques Henner Solitude oil painting


Solitude
"Solitude," private collection
Painting ID::  59367
Jean-Jacques Henner
Solitude
"Solitude," private collection
   
   
     

Jean-Jacques Henner Idylle oil painting


Idylle
Idylle Mus??e d'Orsay, Paris
Painting ID::  59370
Jean-Jacques Henner
Idylle
Idylle Mus??e d'Orsay, Paris
   
   
     

Jean-Jacques Henner Pierre Corneille oil painting


Pierre Corneille
1778 Terracotta, height 156 cm Musee du Louvre, Paris Eighteenth-century sculptors tended to portray scientists and men of letters rather than soldiers, as regards the famous men of the past. The vogue for retrospective portraits flourished and would continue to do so for a long time. Caffieri was particularly proficient at this genre, as seen by his wonderfully lifelike statue of Pierre Corneille. He captures the dramatist searching for an appropriate rhyme or twist in plot, a goose quill in his hand and a number of folios lying scattered at his feet. The sculptor is careful to avoid any anachronism and depicts him accurately in seventeenth-century dress, thus anticipating the historicism of the nineteenth-century artists. The composition reveals a remarkably harmonious sense of balance and it has an undeniable vivacity. Artist: CAFFIeRI, Jean-Jacques Title: Pierre Corneille Date: 1751-1800 French , sculpture : portrait
Painting ID::  62890
Jean-Jacques Henner
Pierre Corneille
1778 Terracotta, height 156 cm Musee du Louvre, Paris Eighteenth-century sculptors tended to portray scientists and men of letters rather than soldiers, as regards the famous men of the past. The vogue for retrospective portraits flourished and would continue to do so for a long time. Caffieri was particularly proficient at this genre, as seen by his wonderfully lifelike statue of Pierre Corneille. He captures the dramatist searching for an appropriate rhyme or twist in plot, a goose quill in his hand and a number of folios lying scattered at his feet. The sculptor is careful to avoid any anachronism and depicts him accurately in seventeenth-century dress, thus anticipating the historicism of the nineteenth-century artists. The composition reveals a remarkably harmonious sense of balance and it has an undeniable vivacity. Artist: CAFFIeRI, Jean-Jacques Title: Pierre Corneille Date: 1751-1800 French , sculpture : portrait
   
   
     

Jean-Jacques Henner Head of a Girl oil painting


Head of a Girl
Date 19th century Medium Oil on canvas Dimensions 40.6 X 32.4 cm (15.98 X 12.76 in) cyf
Painting ID::  73839
Jean-Jacques Henner
Head of a Girl
Date 19th century Medium Oil on canvas Dimensions 40.6 X 32.4 cm (15.98 X 12.76 in) cyf
   
   
     

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     Jean-Jacques Henner
     1829-1905 French Jean Jacques Henner Galleries French painter. He was born into a peasant family in the Sundgau and received his first artistic training at Altkirch with Charles Goutzwiller (1810-1900) and later in Strasbourg in the studio of Gabriel-Christophe Gu?rin (1790-1846). In 1846 he enrolled at the Ecole des Beaux-Arts in Paris as a pupil of Michel-Martin Drolling and, from 1851, of Francois-Edouard Picot. While a student he was particularly drawn to portraiture, and during his frequent visits to Alsace he made portraits of his family as well as of the notables of the region. He also painted scenes of Alsatian peasant life.

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