James Abbott Mcneill Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.

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James Abbott Mcneill Whistler arrangemang i gratt och svart nr 1 konstnarens moder oil painting


arrangemang i gratt och svart nr 1 konstnarens moder
mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
Painting ID::  56713
James Abbott Mcneill Whistler
arrangemang i gratt och svart nr 1 konstnarens moder
mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
   
   
     

James Abbott Mcneill Whistler Nocturne in Black and Gold oil painting


Nocturne in Black and Gold
mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
Painting ID::  56968
James Abbott Mcneill Whistler
Nocturne in Black and Gold
mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
   
   
     

James Abbott Mcneill Whistler Arrangement in Gray Portrait of the Painter oil painting


Arrangement in Gray Portrait of the Painter
Arrangement in Gray: Portrait of the Painter (self portrait, c. 1872), Detroit Institute of Arts
Painting ID::  61605
James Abbott Mcneill Whistler
Arrangement in Gray Portrait of the Painter
Arrangement in Gray: Portrait of the Painter (self portrait, c. 1872), Detroit Institute of Arts
   
   
     

James Abbott Mcneill Whistler Portrait of Whistler with Hat oil painting


Portrait of Whistler with Hat
Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
Painting ID::  61606
James Abbott Mcneill Whistler
Portrait of Whistler with Hat
Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
   
   
     

James Abbott Mcneill Whistler Symphony in White, oil painting


Symphony in White,
Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
Painting ID::  61607
James Abbott Mcneill Whistler
Symphony in White,
Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
   
   
     

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     James Abbott Mcneill Whistler
     American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.

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