Ignacio Pinazo Camarlench
Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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Ignacio Pinazo Camarlench Retrato de Dona Teresa Martinez, esposa del pintor oil painting


Retrato de Dona Teresa Martinez, esposa del pintor
Date 1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cjr
Painting ID::  81444
Ignacio Pinazo Camarlench
Retrato de Dona Teresa Martinez, esposa del pintor
Date 1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cjr
   
   
     

Ignacio Pinazo Camarlench Enamorados oil painting


Enamorados
Date 1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cjr
Painting ID::  81704
Ignacio Pinazo Camarlench
Enamorados
Date 1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cjr
   
   
     

Ignacio Pinazo Camarlench Juegos icarios oil painting


Juegos icarios
Medium Oil on canvas Dimensions 106.7 x 81.6 cm (42 x 32.1 in) cjr
Painting ID::  81958
Ignacio Pinazo Camarlench
Juegos icarios
Medium Oil on canvas Dimensions 106.7 x 81.6 cm (42 x 32.1 in) cjr
   
   
     

Ignacio Pinazo Camarlench El invierno oil painting


El invierno
Date 1885(1885) Medium Oil on canvas Dimensions 234 x 129 cm (92.1 x 50.8 in) cjr
Painting ID::  83460
Ignacio Pinazo Camarlench
El invierno
Date 1885(1885) Medium Oil on canvas Dimensions 234 x 129 cm (92.1 x 50.8 in) cjr
   
   
     

Ignacio Pinazo Camarlench Self-portrait oil painting


Self-portrait
Date 1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cjr
Painting ID::  83890
Ignacio Pinazo Camarlench
Self-portrait
Date 1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cjr
   
   
     

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     Ignacio Pinazo Camarlench
     Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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