Henry Walton
British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family

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Henry Walton A Gentleman,Said to Be mr Richard Bendyshe with his Favorite Hunter in a Landscape oil painting


A Gentleman,Said to Be mr Richard Bendyshe with his Favorite Hunter in a Landscape
Oil on canvas 19 1/4 by 23 1/4 in 48.9 by 59.1 cm (mk59)
Painting ID::  27303
Henry Walton
A Gentleman,Said to Be mr Richard Bendyshe with his Favorite Hunter in a Landscape
Oil on canvas 19 1/4 by 23 1/4 in 48.9 by 59.1 cm (mk59)
   
   
     

Henry Walton Portrait of a Woman, possibly Miss Nettlethorpe oil painting


Portrait of a Woman, possibly Miss Nettlethorpe
circa 1770(1770) Medium oil on panel Dimensions 23.5 x 17.8 cm (9.3 x 7 in) cjr
Painting ID::  93259
Henry Walton
Portrait of a Woman, possibly Miss Nettlethorpe
circa 1770(1770) Medium oil on panel Dimensions 23.5 x 17.8 cm (9.3 x 7 in) cjr
   
   
     

Henry Walton Portrait of a young woman, possibly Miss Nettlethorpe oil painting


Portrait of a young woman, possibly Miss Nettlethorpe
circa 1770(1770) Medium oil on panel Dimensions 23.5 x 17.8 cm (9.3 x 7 in) cjr
Painting ID::  93260
Henry Walton
Portrait of a young woman, possibly Miss Nettlethorpe
circa 1770(1770) Medium oil on panel Dimensions 23.5 x 17.8 cm (9.3 x 7 in) cjr
   
   
     

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     Henry Walton
     British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family

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