Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri de toulouse-lautrec the bed oil painting


the bed
mk247 1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france
Painting ID::  56353 		Henri de toulouse-lautrec
the bed
mk247 1892,oil on cardboard,21x27 in,54x70.5 cm,musee d orsay,paris,france
   
   
     
Henri de toulouse-lautrec oil painting




Painting ID::  56355 		Henri de toulouse-lautrec
   
   
     
Henri de toulouse-lautrec Moulin Rouge oil painting


Moulin Rouge
mk250 AD 1892 - 1895 years. Oil on canvas, 121.9 x 140 cm. City of Chicago Art Institute of Chicago.
Painting ID::  56967 		Henri de toulouse-lautrec
Moulin Rouge
mk250 AD 1892 - 1895 years. Oil on canvas, 121.9 x 140 cm. City of Chicago Art Institute of Chicago.
   
   
     
Henri de toulouse-lautrec La Toilette, early painting oil painting


La Toilette, early painting
La Toilette, early painting
Painting ID::  61162 		Henri de toulouse-lautrec
La Toilette, early painting
La Toilette, early painting
   
   
     
Henri de toulouse-lautrec Self portrait in the crowd, at the Moulin Rouge oil painting


Self portrait in the crowd, at the Moulin Rouge
Self-portrait in the crowd, at the Moulin Rouge
Painting ID::  61163 		Henri de toulouse-lautrec
Self portrait in the crowd, at the Moulin Rouge
Self-portrait in the crowd, at the Moulin Rouge
   
   
     
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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