Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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Henri Fantin-Latour White Roses, oil painting


White Roses,
White Roses, 1875.
Painting ID::  58790
Henri Fantin-Latour
White Roses,
White Roses, 1875.
   
   
     

Henri Fantin-Latour Still Life, Corner of a Table, oil painting


Still Life, Corner of a Table,
Still Life, Corner of a Table, 1873.
Painting ID::  58791
Henri Fantin-Latour
Still Life, Corner of a Table,
Still Life, Corner of a Table, 1873.
   
   
     

Henri Fantin-Latour Still Life with Peaches, oil painting


Still Life with Peaches,
Still Life with Peaches, 1880
Painting ID::  58792
Henri Fantin-Latour
Still Life with Peaches,
Still Life with Peaches, 1880
   
   
     

Henri Fantin-Latour Still Life, oil painting


Still Life,
Still Life, 1866.
Painting ID::  58793
Henri Fantin-Latour
Still Life,
Still Life, 1866.
   
   
     

Henri Fantin-Latour Glass, Silver Goblet and Cup of Champagne oil painting


Glass, Silver Goblet and Cup of Champagne
Still Life: Glass, Silver Goblet and Cup of Champagne, 1860
Painting ID::  58794
Henri Fantin-Latour
Glass, Silver Goblet and Cup of Champagne
Still Life: Glass, Silver Goblet and Cup of Champagne, 1860
   
   
     

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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