Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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Giovanni Battista Tiepolo St Charles Borromeo (mk08) oil painting


St Charles Borromeo (mk08)
c.1767-1769 Oil on canvas, 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
Painting ID::  21837
Giovanni Battista Tiepolo
St Charles Borromeo (mk08)
c.1767-1769 Oil on canvas, 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
   
   
     

Giovanni Battista Tiepolo Rinaldo and Armida (mk08) oil painting


Rinaldo and Armida (mk08)
1753 Oil on canvas 104.8x143cm Munich,Bayerische Staatsgemaldesammlungen
Painting ID::  21922
Giovanni Battista Tiepolo
Rinaldo and Armida (mk08)
1753 Oil on canvas 104.8x143cm Munich,Bayerische Staatsgemaldesammlungen
   
   
     

Giovanni Battista Tiepolo Rachel Hiding the Idols from her Father Laban (mk08) oil painting


Rachel Hiding the Idols from her Father Laban (mk08)
1726-1728 Fresco,height 500x400cm Udine,Palazzo Arcivescovile
Painting ID::  21923
Giovanni Battista Tiepolo
Rachel Hiding the Idols from her Father Laban (mk08)
1726-1728 Fresco,height 500x400cm Udine,Palazzo Arcivescovile
   
   
     

Giovanni Battista Tiepolo Sarah and the Archangel (mk08) oil painting


Sarah and the Archangel (mk08)
1726-1728 Fresco,height c.400cm,width c.200cm Udine, Palazzo Arcivescovile
Painting ID::  21924
Giovanni Battista Tiepolo
Sarah and the Archangel (mk08)
1726-1728 Fresco,height c.400cm,width c.200cm Udine, Palazzo Arcivescovile
   
   
     

Giovanni Battista Tiepolo Hagar and Ismael in the Widerness (mk08) oil painting


Hagar and Ismael in the Widerness (mk08)
c.1732 Oil on canvas 140x120cm Venice,Scuola di San Rocco
Painting ID::  21925
Giovanni Battista Tiepolo
Hagar and Ismael in the Widerness (mk08)
c.1732 Oil on canvas 140x120cm Venice,Scuola di San Rocco
   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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