Georges Seurat
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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Georges Seurat End of the Seawall oil painting


End of the Seawall
mk106 1886 Oil on canvas 46x55cm
Painting ID::  35870
Georges Seurat
End of the Seawall
mk106 1886 Oil on canvas 46x55cm
   
   
     

Georges Seurat Seine-s Dusk oil painting


Seine-s Dusk
mk106 1886 Oil on canvas 64.2x80cm
Painting ID::  35871
Georges Seurat
Seine-s Dusk
mk106 1886 Oil on canvas 64.2x80cm
   
   
     

Georges Seurat Impression Figure oil painting


Impression Figure
mk106 1886 Oil on canvas 53x63.5cm
Painting ID::  35872
Georges Seurat
Impression Figure
mk106 1886 Oil on canvas 53x63.5cm
   
   
     

Georges Seurat The Bridge of Port en bessin and Seawall oil painting


The Bridge of Port en bessin and Seawall
mk106 1888 67x84.5cm
Painting ID::  35873
Georges Seurat
The Bridge of Port en bessin and Seawall
mk106 1888 67x84.5cm
   
   
     

Georges Seurat Impression Figure oil painting


Impression Figure
mk106 1886 54x65cm
Painting ID::  35874
Georges Seurat
Impression Figure
mk106 1886 54x65cm
   
   
     

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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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