GUERCINO
Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.

  Prev   3 4 5 6 7 8 9 10 11 12    Next
 
 Prev Artist   Next Artist 

GUERCINO Woman that self undresses oil painting


Woman that self undresses
MK169 ca. 1620 Plants ink on paier 25.6x20.7cm British Museum. Rewarded
Painting ID::  42700
GUERCINO
Woman that self undresses
MK169 ca. 1620 Plants ink on paier 25.6x20.7cm British Museum. Rewarded
   
   
     

GUERCINO The Dead Christ Mourned by two Angels oil painting


The Dead Christ Mourned by two Angels
mk170 1617-1618 Oil on copper 36.8x44.4cm
Painting ID::  43089
GUERCINO
The Dead Christ Mourned by two Angels
mk170 1617-1618 Oil on copper 36.8x44.4cm
   
   
     

GUERCINO Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier oil painting


Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier
mk170 1625-26 Oil on canvas 296x211cm
Painting ID::  43090
GUERCINO
Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier
mk170 1625-26 Oil on canvas 296x211cm
   
   
     

GUERCINO The Cumaean Sibyl with a Putto oil painting


The Cumaean Sibyl with a Putto
mk170 1651 Oil on canvas 222x168.5cm
Painting ID::  43091
GUERCINO
The Cumaean Sibyl with a Putto
mk170 1651 Oil on canvas 222x168.5cm
   
   
     

GUERCINO The Angel Appearing to Hagar and Ishmael oil painting


The Angel Appearing to Hagar and Ishmael
mk170 1652-1653 Oil on canvas 193x229cm
Painting ID::  43092
GUERCINO
The Angel Appearing to Hagar and Ishmael
mk170 1652-1653 Oil on canvas 193x229cm
   
   
     

       Prev    3  4  5  6  7  8  9  10  11  12     Next
Prev Artist       Next Artist     

     GUERCINO
     Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.

China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinafineart.com

China Oil Painting Studio Team