GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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GIOTTO di Bondone Road to Calvary oil painting


Road to Calvary
200 x 185 cm
Painting ID::  44335
GIOTTO di Bondone
Road to Calvary
200 x 185 cm
   
   
     

GIOTTO di Bondone St John on Patmos oil painting


St John on Patmos
280 x 450 cm
Painting ID::  44336
GIOTTO di Bondone
St John on Patmos
280 x 450 cm
   
   
     

GIOTTO di Bondone View of a chapel oil painting


View of a chapel
1304-06 150 x 140 cm
Painting ID::  44337
GIOTTO di Bondone
View of a chapel
1304-06 150 x 140 cm
   
   
     

GIOTTO di Bondone St Paul oil painting


St Paul
Oil on canvas
Painting ID::  44338
GIOTTO di Bondone
St Paul
Oil on canvas
   
   
     

GIOTTO di Bondone Frescoes in the second bay of the nave oil painting


Frescoes in the second bay of the nave
Oil on canvas
Painting ID::  44339
GIOTTO di Bondone
Frescoes in the second bay of the nave
Oil on canvas
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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